The Starred Agama's long association with the stone architecture of the eastern Mediterranean has given it an incidental but persistent presence in the visual culture of the region. While the species was never a deliberate subject of major artistic traditions in the way that sacred animals like the ibis or the scarab beetle were in ancient Egypt, its image appears in decorative contexts across centuries of Mediterranean art. Roman and Byzantine mosaics from sites in present-day Turkey, Syria, and Jordan occasionally include lizard figures among broader depictions of the natural world, and while these representations are generally too stylized for definitive species identification, the body proportions and habitus of the depicted animals are consistent with the agamid lizards that dominate the rock-dwelling reptile fauna of the region.
During the medieval and early modern periods, European naturalists and illustrators traveling through the eastern Mediterranean began producing more recognizable depictions of the Starred Agama. The illustrated natural history volumes that proliferated during the sixteenth through eighteenth centuries frequently included plates of reptiles encountered by their authors during travels in Greece, the Levant, and Egypt. Pierre Belon, the French naturalist who traveled extensively through the Ottoman Empire in the mid-sixteenth century, described and illustrated lizards from the region in his published accounts, and subsequent naturalists including Ulisse Aldrovandi and Albertus Seba included agamid lizards in their encyclopedic works. These early illustrations, though sometimes lacking the precision of modern scientific illustration, constitute some of the earliest deliberate artistic representations of the species.
The tradition of natural history illustration reached a high point in the nineteenth century, when European herpetologists produced meticulously detailed lithographs and engravings of reptile species from across the Old World. The Starred Agama featured in several of these works, including volumes associated with scientific expeditions to Egypt, Greece, and the broader Levant. These illustrations served both scientific and aesthetic purposes, documenting morphological details for taxonomic reference while also presenting the animals as subjects of artistic merit. The legacy of this tradition continues to influence how the species is depicted in modern field guides and reference works.
In the folk art traditions of the eastern Mediterranean, lizards appear as decorative motifs on pottery, textiles, and carved stonework. In parts of Turkey and Greece, lizard imagery has been incorporated into traditional ceramic designs and architectural ornamentation, though these depictions are typically generic rather than species-specific. The Starred Agama's ubiquitous presence on the walls and ruins of the region ensured that it was the lizard most frequently observed by the artisans who created these works, making it a likely, if unconfirmed, inspiration for many such motifs.